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Holiday
Holiday

Holiday (1930)

62% User Rating
1h 31min
Romance
Drama

"An astonishing drama of double life and double love!"

A young man is torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family.

Edward H. GriffithDirector

Cast

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Ann Harding

Ann Harding

Linda Seton

Mary Astor

Mary Astor

Julia Seton

Edward Everett Horton

Edward Everett Horton

Nick Potter

Robert Ames

Robert Ames

Johnny Case

Hedda Hopper

Hedda Hopper

Susan Potter

Hallam Cooley

Hallam Cooley

Seton Cram

William Holden

William Holden

Edward Seton

Creighton Hale

Creighton Hale

Pete Hedges

Mabel Forrest

Mabel Forrest

Mary Jessup

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Elizabeth Forrester

Laura Cram

Monroe Owsley

Monroe Owsley

Ned Seton

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Wilson Benge

Butler (uncredited)

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Neal Dodd

Minister (uncredited)

Mary Forbes

Mary Forbes

Mrs. Pritchard Ames (uncredited)

Al Hill

Al Hill

Taxi Driver (uncredited)

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Paul Power

Party Guest (uncredited)

Phillips Smalley

Phillips Smalley

Party Guest (uncredited)

Ellinor Vanderveer

Ellinor Vanderveer

Party Guest (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

February 15, 2024

A pretty wooden Ann Harding tops the bill here in this rather stagily delivered rom-com. She ("Linda") is the independently-minded daughter of a wealthy family whose sister "Julia" (Mary Astor) has a whirlwind romance and wants to get married. Thing is, her intended "Johnny" (Robert Ames) doesn't quite measure up to expectations of blue-blooded father Edward" (William Holden) but "Linda" takes quite a shine to his free-spirited attitude, especially when he declares that he wants little of her family's wealth, but to retire early and enjoy the simple things in life. "Julia" isn't so impressed with the prospect of having an "idler" for an husband and so a denouement with all concerned looks set to recalibrate the relationships and reveal the truth about these characters. It's watchable enough, this, but the presentation is very stilted. The actors seem to be too pre-occupied seeking their cue spots to deliver their very set-piece lines for much of this sitting-room drama naturally, and that is especially obvious with the little thinly-stretched humour Philip Barry's original play provided. It does take a gentle swipe at new versus old money and at double standards, and would probably work quite well in a theatre, but on screen it's all a bit static.

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