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Adam Had Four Sons
Adam Had Four Sons

Adam Had Four Sons (1941)

60% User Rating
1h 21min
Romance
Drama

"It takes all kinds of women to love all kinds of men!"

Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester. Written by Daniel Bubbeo

Gregory RatoffDirector

Cast

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Ingrid Bergman

Ingrid Bergman

Emilie Gallatin

Warner Baxter

Warner Baxter

Adam Stoddard

Susan Hayward

Susan Hayward

Hester Stoddard

Fay Wray

Fay Wray

Molly Stoddard

Richard Denning

Richard Denning

Jack Stoddard

Johnny Downs

Johnny Downs

David Stoddard

Robert Shaw

Robert Shaw

Chris Stoddard

The Movie Database

Charles Lind

Phillip Stoddard (older)

The Movie Database

Billy Ray

Jack Stoddard (younger)

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Steven Muller

David Stoddard (younger)

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Wallace Chadwell

Chris Stoddard (younger)

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Bobby Walberg

Phillip Stoddard (younger)

Helen Westley

Helen Westley

Cousin Philippa

June Lockhart

June Lockhart

Vance

Pietro Sosso

Pietro Sosso

Otto

Clarence Muse

Clarence Muse

Sam (uncredited)

Renie Riano

Renie Riano

Miss Bunson, the Photographer

Reviews (1)

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T
talisencrw
Rating 80%

May 5, 2016

This was a good early melodrama--the first of Ratoff's films I have seen (at least to my knowledge) and American films starring Ingrid Bergman, one of my favourite actresses (three earlier Swedish films she's in, that I found in an inexpensive boxed set by Kino Lorber, is delightful). This boasted a strong supporting cast too, as Bergman's Emilie does everything she can to provide support for the family she loves working for so dearly. It was short and sweet, and is good value for the cinephile if you like the 30's-and-40's style of filmmaking, and enjoy melodramas. Other fine directors who are great at this style are John Stahl, Douglas Sirk, and, more recently, Rainer Werner Fassbinder and Todd Haynes. At this stage of her career, Bergman isn't as fun to watch, at least for me, as similar actresses of her era, such as Bette Davis, Greta Garbo or Joan Crawford. I prefer Bergman's work after she risked everything to marry Roberto Rossellini. I believe the great difficulties she had to endure gave her a much deeper palette of possible behaviours for her to choose from. I significantly feel that if a thespian can survive trauma, it's the best thing in the world for their craft. What doesn't kill you makes you stronger--and I would definitely posit it makes one a much better actor as well.

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