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The Richest Girl in the World
The Richest Girl in the World

The Richest Girl in the World (1934)

57% User Rating
1h 11min
Comedy
Romance

"$30,000 A DAY TO SPEND...and nothing to live for!"

Millionairess Dorothy Hunter is tired of finding out that her boyfriends love her for her money, and equally weary of losing eligible beaus who don't want to be considered fortune-hunters. That's why she trades identities with her secretary Sylvia before embarking on her next romance with Tony Travers. This causes numerous complications not only for Dorothy and Tony but for Sylvia, whose own husband Philip is not the most patient of men.

William A. SeiterDirector

Cast

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Miriam Hopkins

Miriam Hopkins

Dorothy Hunter

Joel McCrea

Joel McCrea

Anthony Travers

Fay Wray

Fay Wray

Sylvia Lockwood

Henry Stephenson

Henry Stephenson

John Connors

Reginald Denny

Reginald Denny

Phillip Lockwood

Beryl Mercer

Beryl Mercer

Maid

George Meeker

George Meeker

Donald

Wade Boteler

Wade Boteler

Jim Franey

Herbert Bunston

Herbert Bunston

Cavendish

Burr McIntosh

Burr McIntosh

David Preston

Edgar Norton

Edgar Norton

Binkley - The Butler

Selmer Jackson

Selmer Jackson

Dr. Harvey (uncredited)

Bess Flowers

Bess Flowers

Nightclub Patron (uncredited)

Harold Miller

Harold Miller

Party Guest (uncredited)

Reviews (2)

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CinemaSerf
CinemaSerf
Rating 60%

June 29, 2025

Poor little rich girl “Dorothy” (Miriam Hopkins) is fed up always being ousted by gold-digging boyfriends and so hits on the idea, with the help of her executor “Connors” (Henry Stephenson), of swapping places with her dedicated secretary “Sylvia” (Fay Wray) and the. Seeing if she can’t meet a man who likes her for herself. That man might just have come along in the form of “Tony” (Joel McCrea) but with the whole scenario being built on a pyramid of lies and with the real husband of “Sylvia” (Reginald Denny) getting just as confused by proceedings, this all starts to look distinctly dodgy. Now to get anything from this, you have to pretty much suspend common sense. Even in the 1930s, the identity of the heiress would never have been so easy to conceal as it appears here. Even her own board of directors don’t seem to recognise their own boss. Thereafter, the film really belongs to Hopkins because she delivers quite a skilful portrayal of a selfish, spoiled and really quite unpleasant girl who coasts along through a mire of caviar and lobster completely unaware of just how fortunate she is. It does have moments of levity, usually at the hands of Denny but it’s all just a little too contrived to remain very funny for long. How the other half lived!

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