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The Dark Angel
The Dark Angel

The Dark Angel (1935)

62% User Rating
1h 46min
Romance
Drama

"Crowds just cannot get enough of the most appealing love story ever filmed!"

Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Kitty has always known she would marry one of them, but has waited until the beginning of World War I before finally choosing Alan. Gerald graciously gives them his blessing. Then, Gerald and Alan go to war. Angered over a misunderstanding involving Alan and Kitty, Gerald sends Alan on a dangerous mission that will change all their lives forever.

Sidney FranklinDirector

Cast

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Fredric March

Fredric March

Alan Trent

Merle Oberon

Merle Oberon

Kitty Vane

Herbert Marshall

Herbert Marshall

Gerald Shannon

Janet Beecher

Janet Beecher

Mrs. Shannon

John Halliday

John Halliday

Sir George Barton

Henrietta Crosman

Henrietta Crosman

Granny Vane

Frieda Inescort

Frieda Inescort

Ann West

Claud Allister

Claud Allister

Lawrence Bidley

Cora Sue Collins

Cora Sue Collins

Kitty as a Child

The Movie Database

Fay Chaldecott

Betty Gallop

George P. Breakston

George P. Breakston

Joe Gallop

The Movie Database

Sam Harris

Hunt Guest

Colin Kenny

Colin Kenny

Officer at Station

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

February 16, 2024

Despite having quite a solid cast, I found this wartime drama drifted just once too often into the realms of sentimentality and I found it quiet heavy going at times. It's all about a love triangle. "Kitty" (Merle Oberon) has long since been friends with "Alan" (Fredric March) and "Gerald" (Herbert Marshall) and everyone knows it's from this pair that she shall pick her husband. With the Great War looming, she alights on "Alan" and their friend accepts her decision and off they go to fight. This is where we discover that all is not quite as civil as outwardly appears as "Gerald" sends his friend on a perilous mission that could change the dynamic of the three - permanently! The story is a bit thin and slightly predictable, but Oberon turns in an engaging effort as the never entirely content "Kitty". Herbert Marshall could always be relied upon to deliver a solid if never especially characterful role, and again he does that competently enough here - especially as the film develops towards it's denouement, and though March features a bit less frequently, he has a presence on screen that helps create quite an effective atmosphere when his character, indeed all of their characters, find they are treading on egg shells. Alfred Newman, again another safe pair of hands, has scored this nicely and the film has a gentle nostalgic value to it that's worth watching, it's just not great.

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