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The Passing of the Third Floor Back
The Passing of the Third Floor Back

The Passing of the Third Floor Back (1935)

76% User Rating
1h 30min
Drama
Fantasy
Romance

The tenants of an old London boarding house spend their time in petty bickering and sniping until a mysterious stranger arrives at their door.

Berthold ViertelDirector

Cast

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Conrad Veidt

Conrad Veidt

The Stranger

Rène Ray

Rène Ray

Stasia

Frank Cellier

Frank Cellier

Wright

Anna Lee

Anna Lee

Vivian Tomkin

John Turnbull

John Turnbull

Major Tomkin

Cathleen Nesbitt

Cathleen Nesbitt

Mrs. Tomkin

Ronald Ward

Ronald Ward

Chris Penny

Beatrix Lehmann

Beatrix Lehmann

Miss Kite

Jack Livesey

Jack Livesey

Mr. Larkcom

Sara Allgood

Sara Allgood

Mrs. de Hooley

Mary Clare

Mary Clare

Mrs. Sharpe

Barbara Everest

Barbara Everest

Cook

The Movie Database

Alexander Sarner

The Gramophone Man

The Movie Database

James Knight

Police Inspector (Uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 70%

June 19, 2022

Don't be put off by the rather unhelpful title. This is quite a clever story of man's inhumanity to his fellow creature. Frank Cellier is ""Wright" by name, but seldom by nature in this tale of a group of lodgers living in his old London boarding house. The occupant's lives vacillate between occasional joy but mostly misery, and he relishes in prolonging the latter states of affairs - especially for the young kitchen maid "Stasia" (a good effort here from Rene Ray) who lives an almost "Cinderella" style existence. Then a stranger - Conradt Veidt - arrives amongst their number, and slowly but surely things start to take turn for the better for many of his colleagues. This new found happiness doesn't suit "Wright" and soon he is plotting the downfall of the newcomer, too. It's quite a basic, stage-bound, production, and many of the stars cut their teeth in that medium between the wars - Anna Lee, Cathleen Nesbitt and the instantly recognisable Sarah Allgood, so know their business well enough. Each character has their few moments in the sun as Veidt tries to help them to help themselves, not by giving them cash or jobs, but by empowering them to take control of their own lives more - and his approach is surprisingly effective. Veidt is perfectly attired, aloof and debonaire with this performance, yet he does illuminate each scene with an intimacy. A kindness, maybe angelic or maybe just something more down to Earth - a decency of heart and spirit. Cellier's portrayal of the odious, manipulative landlord ought not to be overlooked either, he manages quite successfully to get your heckles up before a suitably fitting ending!

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