Island of Death (2024)

Pulau Hantu manages to offer something more than your typical Indonesian horror. Coming in with no expectations, I was immediately drawn in by the film’s mix of suspense and emotional storytelling. The movie opens with a well-placed flashback that sets up the central mystery. The character introductions are clear, making it easy to follow the plot and the strong friendships among the protagonists. The flashbacks are used sparingly and effectively, helping build tension without dragging down the pace. The main antagonist, Mala, is a standout—her presence makes every scene more intense, and the jump scares connected to her are smartly timed. Visually, the film excels. The cinematography and color grading make the most of the island setting, bringing the beach, forest, and darker scenes to life. The film’s atmosphere is rich, pulling you deeper into the story as it unfolds. Mala’s backstory, revealed through flashbacks, adds surprising depth to her character. By the final act, she becomes someone you empathize with, which isn’t something you expect from a horror movie. The transition to the emotional climax is handled well, with the main protagonist, Dara, standing out as her story hits home in the final moments. While there’s room for deeper character development earlier in the film, Pulau Hantu succeeds in delivering a story that is both suspenseful and emotionally resonant. It’s not just about the scares—there’s real heart in the writing, and the ending leaves a lasting impression.