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Turn the Key Softly
Turn the Key Softly

Turn the Key Softly (1953)

62% User Rating
1h 21min
Crime
Drama

"An Intimate Study in Passion and Suspense...!"

A bitter burglar, a prostitute and an elderly shoplifter spend their first day out of jail.

Jack LeeDirector

Cast

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Yvonne Mitchell

Yvonne Mitchell

Monica Marsden

Terence Morgan

Terence Morgan

David

Joan Collins

Joan Collins

Stella Jarvis

Kathleen Harrison

Kathleen Harrison

Granny Quilliam

Thora Hird

Thora Hird

Mrs. Rowan, landlady

Geoffrey Keen

Geoffrey Keen

Mr Gregory

Simone Silva

Simone Silva

Marie (uncredited)

Dorothy Alison

Dorothy Alison

Joan

Glyn Houston

Glyn Houston

Bob

Russell Waters

Russell Waters

George Jenkins

Clive Morton

Clive Morton

Walters

Richard Massingham

Richard Massingham

Bystander

The Movie Database

Edward Evans

Commissionaire (uncredited)

Lyn Evans

Lyn Evans

Butcher (uncredited)

The Movie Database

Hilda Fenemore

Granny's Daughter (uncredited)

The Movie Database

Fred Griffiths

Newspaper Seller (uncredited)

The Movie Database

Vi Stevens

Barmaid (uncredited)

Toke Townley

Toke Townley

Prison Guard (uncredited)

The Movie Database

Herbert C. Walton

Man in Pub (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

March 28, 2022

Three women are released from prison at the same time on the same day and arrange to meet for a drink later that evening. Their paths diverge with one - petty shoplifter Kathleen Harrison anxious to get home to her "Tommy"; Joan Collins to her bus conductor boyfriend "Bob" (Glyn Houston) and finally Yvonne Mitchell ("Monica") who appears to have been set up by her safe-cracking boyfriend "David" (Terence Morgan). The narrative tracks their day - sometimes joyful, sometimes sad - but usually interesting. Sadly, Collins, who has a bit of a penchant for fleecing elderly men, adds very little to the proceedings; it's down to an engaging performance from Harrison and a troubled one from Mitchell to inject some humour, depth and personality to this curious triptych. The last half hour dominates the well written screenplay as a tense rooftop robbery goes awry, and the cops close in... It's got some interesting scenes from post war London, a lovely one where folks cram onto the tube, just as they do 70 years later, and a sense of the glamour and social divisions that were starting to fade as Britain emerged from the War years, and is worth watching for that alone.

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