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Gallant Lady
Gallant Lady

Gallant Lady (1933)

60% User Rating
1h 22min
Drama

"BECAUSE SHE PLAYED WITH FIRE, HER CHILD, WHOM SHE SO LOVED, MUST NEVER KNOW SHE WAS HIS MOTHER...!"

Unwed mother gives up baby for adoption and hopes to get it back when the adoptive mother dies.

Gregory La CavaDirector

Cast

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Ann Harding

Ann Harding

Sally Wyndham

Clive Brook

Clive Brook

Dan Pritchard

Otto Kruger

Otto Kruger

Phillip Lawrence

Tullio Carminati

Tullio Carminati

Count Mario Carniri

Dickie Moore

Dickie Moore

Deedy Lawrence

Janet Beecher

Janet Beecher

Maria Sherwood

Betty Lawford

Betty Lawford

Cynthia Haddon

Adrienne D'Ambricourt

Adrienne D'Ambricourt

Nanette - Deedy's Nurse (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

February 16, 2024

Ann Harding is on good form here in this drama about a mother trying to reclaim her son. Tragically unwed and broke, and with the help of the dipso ex-con doctor "Dan" (Clive Brooks), she had to put her young lad "Deedy" (Dickie Moore) up for adoption. Many years later when she learns that the adoptive mother has passed away, she is much more successful and senses that now might be the time to try and ingratiate herself with "Phillip" (Otto Kruger) and the young boy - and see if she can't get more firmly established in both of their lives. She won't have an easy ride, though, but gets off to a decent start as they meet on the Queen Mary travelling to Europe. On that trip, she also meets "Count Carniri" (Tullio Carminati) who takes a shine to her and might just prove a fly in her ointment when it comes to getting her son back. Faced with choices that may not be her first, she makes some decisions that might reunite her with her child, but at what price her own happiness? The plot is standard melodrama stuff, but Harding really does stand out with one of her more convincing performances. The scenes with the young lad work well, are quite emotional and do support the almost addictive maternal feeling that underpins most of this story. Brooks is also quite effective as the drunken physician, but there's just a bit too much dialogue and the support elements (except the young Moore) don't really make much impact. It stays the right side of sentimentality once we are up and running, and there's some feisty humour here too.

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