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Joy Division
Joy Division

Joy Division (2009)

77% User Rating
1h 40min
Documentary
Music

A chronological account of the influential late 1970s English rock band.

Grant GeeDirector

Cast

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Anton Corbijn

Anton Corbijn

Self

The Movie Database

Kevin Cummins

Self

The Movie Database

Richard Boon

Self

Ian Curtis

Ian Curtis

Self (archive footage)

Peter Hook

Peter Hook

Self

Bernard Sumner

Bernard Sumner

Self

Stephen Morris

Stephen Morris

Self

Paul Morley

Paul Morley

Self

The Movie Database

Genesis P-Orridge

Self

The Movie Database

Peter Saville

Self

Tony Wilson

Tony Wilson

Self

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Pete Shelley

Self

The Movie Database

Richard H. Kirk

Self

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Liz Naylor

Self

The Movie Database

Malcolm Whitehead

Self

Reviews (1)

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John Chard
John Chard
Rating 80%

March 1, 2015

In the shadowplay acting out your own death knowing no more. Joy Division, the mercurial Manchester based masters of dark post punk sounds, who in Ian Curtis had one of the eras most tortured souls. Directed by Grant Gee and written by Jon Savage, this documentary actually brings nothing new to the table for hardened fans of the band, of which I am unashamedly amongst that number. There is a tendency with musical documentaries to be over praised by fans simply because, well, they just love to see their idols/heroes/inspirations up there on the screen. Grant Gee's film has strong merits as an introduction for those new to the band, for the curious and to those hypnotised by tunes so hauntingly poetic they can reduce you to tears, but again for those who have followed Joy Division and their subsequent brotherhood band, New Order, there is nothing to be learned here. The absence of Deborah Curtis (Ian's widow) from the doc is annoying, where we are only given printed quotes from her. One can only guess that she refused to be sharing screen space with her love rival, and fellow tormentor of Ian Curtis' psyche, Annik Honoré, the latter of which who is more than happy to fuel the documentary fire. At times this feels like a copy of Anton Corbijn's superb film, Control, only with the real life band members and entourage commenting from the edges of the frame. But then there is of course the live excerpts of the band, which lifts this up to the high levels set by Control and Deborah Curtis' excellent book, Touching from a Distance. In that, there is the crux, Joy Division the film is essential for fans, to see that performance of Shadowplay and etc etc, it's these moments that make us forgive the narrative, which quite frankly, is a bit of a cash cow cash in. And I really do say that with heavy heart. 8/10

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