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Curtain at Eight
Curtain at Eight

Curtain at Eight (1933)

58% User Rating
1h 8min
Mystery

An elderly detective sets out to find who murdered a lecherous stage actor. His estranged wife? His would-be fiancee? Her father? Her boyfriend? A suicided actress's sister? The temperamental prop man? Or maybe the show's talented female chimpanzee?

E. Mason HopperDirector

Cast

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C. Aubrey Smith

C. Aubrey Smith

Detective Jim Hanley

Sam Hardy

Sam Hardy

Capt. Martin Gallagher

Russell Hopton

Russell Hopton

Reporter Mooney

Ruthelma Stevens

Ruthelma Stevens

Doris Manning

Hale Hamilton

Hale Hamilton

J.K. Manning

Jack Mulhall

Jack Mulhall

Carey Weldon

Dorothy Mackaill

Dorothy Mackaill

Lola Cresmer

Syd Saylor

Syd Saylor

Mac MacIntosh, the prop man

Paul Cavanagh

Paul Cavanagh

Wylie Thornton

Natalie Moorhead

Natalie Moorhead

Alma Jenkins Thornton

Marion Shilling

Marion Shilling

Anice Cresmer

William Humphrey

William Humphrey

Allison, addled actor

Herman Bing

Herman Bing

Sam, stage director

Dot Farley

Dot Farley

Ella, hefty actress

Arthur Hoyt

Arthur Hoyt

Watkins, theater watchman

Matthew Betz

Matthew Betz

"Lovely" Holmes

Walter Brennan

Walter Brennan

Backstage Detective [extra]

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

June 13, 2022

When "Wylie Thornton" (Paul Cavanagh), an actor who likes the company of women - not necessarily his wife - is shot at his own birthday party, we have no shortage of suspects. Detectives "Halliday" (Sam Hardy) and his sidekick "Hanvey" (C. Aubrey Smith) are soon drafted in to fathom it all out... Much of this is just a standard whodunit, and as we discover just how unpleasant "Wylie" actually was, we might also want to join the line-up of potential killers, too. What makes this a bit more fun is the dynamic between the two detectives. Hardy, the senior of the two, frequently comes up with half baked solutions whilst Smith proves the far more astute and considered of the pair and largely lets his boss bask in the glory whilst he does all the work. Good to see Smith given a more substantial role - he plays it well, and there's also a fine contribution from Natalie Moorhead as the deceased man's somewhat clandestine widow "Alma". The writing is simple, but effective, the ending is quite quirky - almost vindicating the crime - and at just over an hour it sustains the suspense quite well...

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