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The Late George Apley
The Late George Apley

The Late George Apley (1947)

68% User Rating
1h 33min
Comedy

"Stop apologizing for sex, George Apley...you didn't invent it!"

George and Catherine Apley of Boston lead a proper life in the proper social circle, as did the Apleys before them. When grown daughter Eleanor falls in love with Howard (from New York!), and son John with Myrtle (from Worcester!), the ordered life of the Apley home on Beacon Street is threatened, as is the hoped-for union of John and Apley-cousin Agnes.

Joseph L. MankiewiczDirector

Cast

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Ronald Colman

Ronald Colman

George Apley

Peggy Cummins

Peggy Cummins

Eleanor 'Ellie' Apley

Vanessa Brown

Vanessa Brown

Agnes Willing

Mildred Natwick

Mildred Natwick

Amelia Newcombe

Richard Haydn

Richard Haydn

Horatio Willing

Nydia Westman

Nydia Westman

Jane Willing

Percy Waram

Percy Waram

Roger Newcombe

Richard Ney

Richard Ney

John Apley

Edna Best

Edna Best

Catherine Apley

Charles Russell

Charles Russell

Howard Boulder

Paul Harvey

Paul Harvey

Julian H. Dole

Kathleen Howard

Kathleen Howard

Margaret

Francis Pierlot

Francis Pierlot

Wilson

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 70%

July 24, 2023

The "Apley" family have been part of the Bostonian establishment since God was a boy, and the head of the household "George" (Ronald Colman) is keen to ensure that with his wife "Catherine" (Edna Best) his son and daughter follow firmly in their establishment footsteps. Thing is, his daughter "Eleanor" (Peggy Cummins) and his son "Richard" (Richard Ney) are rather more independently spirited than that, and their definition of conformity is not quite that of their father! What now ensues is a rather nicely paced comedy that offers us the principle of coming of age - but in this case it's the grown ups who have to come to an age in which their traditions are important, but not all-so. It's based on John Marquand's original, quite satirical, story that casts gentle aspersions on snobbery and elitism, but also acknowledges some of the values those eschewed as a bedrock for a solid and decently evolving society. Colman is on good form in a role I imagined might have suited George Arliss too, and there is the always reliable Mildred Natwick amongst a supporting cast of the sympathetic and not so amongst this family that simply has to adapt to survive. This is an enjoyable ninety minutes of social observation and is well worth a watch.

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