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Caesar The Conqueror
Caesar The Conqueror

Caesar The Conqueror (1962)

51% User Rating
1h 44min
History
Adventure

"Julius Caesar leads the Roman army to battle against rebels in Gaul."

In 54 B.C. Julius Caesar seeks to solidify his position in Rome by putting down a rebellion in Gaul led by a tribal chieftain named Vercingetorix. Vercingetorix has rallied many tribes to his cause, including one led by the beautiful Queen Asterid and others who'd once pledged allegiance to Rome.

Tanio BocciaDirector

Cast

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Cameron Mitchell

Cameron Mitchell

Julius Caesar

Rik Battaglia

Rik Battaglia

Vercingetorix

Dominique Wilms

Dominique Wilms

Queen Astrid

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Ivica Pajer

Claudius Valerian

Raffaella Carrà

Raffaella Carrà

Publia

Carla Calò

Carla Calò

Calpurnia

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Lucia Randi

Clelia

Carlo Tamberlani

Carlo Tamberlani

Pompey

Cesare Fantoni

Cesare Fantoni

Caius Opio

Giulio Donnini

Giulio Donnini

Eporidorige

Nerio Bernardi

Nerio Bernardi

Cicero

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Piero Palermini

Quintus Sabino

Aldo Pini

Aldo Pini

Quintus Cicero

Fedele Gentile

Fedele Gentile

Centurion

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Enzo Petracca

Titus Azius

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Alberto Manetti

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Bruno Tocci

Marco Antonio

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 50%

November 19, 2024

If Julius Caesar were to have had a publicist back in the day, he could have done worse than have had this created as an example of his military prowess. Cameron Mitchell plays the eponymous Roman autocrat who must rally his troops in the face of an open rebellion at the hands of Gaulish tribal leader Vercingetorix (Rik Battaglia). The story is a bit wobbly - there are some rather unnecessary romantic elements centring around his ward "Publia" (Raffaella Carrà) and the Queen of the Gauls "Astrid" (Dominique Wilms) which offers up a bit of feminine rivalry that doesn't work at all well, but the battle scenes are authentic enough and unlike so many films set around this time, the sets and look of the film come across as more genuine too. Buildings made of brick rather than marble, and the fight scenes more randomly staged (less choreographed) which all helps keep this flowing quite well. Sadly, the dubbing is largely out of synch, the editing seems more as if it had been hacked rather than cut and the budget doesn't quite facilitate the ambitions of director Nino Scolaro. Still, I didn't hate it and fans of the genre ought to get enough from the slightly overlong 1¾ hours to keep it interesting.

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