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Two Ships
Two Ships

Two Ships (2012)

60% User Rating
31min
Drama

The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.

Justine TrietDirector

Cast

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Thomas Lévy-Lasne

Thomas

Laetitia Dosch

Laetitia Dosch

Laetitia

Serge Riaboukine

Serge Riaboukine

Serge

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Eric Bouroukhoff

Le Frère

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Andre Dieuaide

Dédé

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Chloé Lagrenade

Chloé

Guillaume Saurrel

Guillaume Saurrel

Le Zonard

Virgil Vernier

Virgil Vernier

Copain de la Fête

Aurélien Bellanger

Aurélien Bellanger

Copain de la Fête

Laëtitia Spigarelli

Laëtitia Spigarelli

Copain de la Fête

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Sonia Pavlik

Copain de la Fête

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Halida Boughriet

Copain de la Fête

Fanny Valette

Fanny Valette

Infirmière

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Java Cristal

Infirmière

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Danielle Clerc

Infirmière

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Fathi Oulad Ben Abid

Le Patient

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Zine-Zine Sidi Omar

Policier

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Abdoun Noumene

Policier

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Jeane Arra-Bellanger

Le Bébé

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Roger Bensimon

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Mickael Colin

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Clemence Lanlo

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Philippe Lefresne

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Marie Olivier Henry

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Ludovic Salomon

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Catherine Saint-Etienne

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

April 16, 2024

"Laetitia" (Laetitia Dosch) is one of those people I'd dread to meet at a party. She's a bit drunk, opinionated and loves the sound of her own voice. "Thomas" (Thomas Lévy-Lasne) is her victim but he doesn't seem to mind. He's an artist without a sou to his name who is just looking for some diversion. It's clear that each has found in the other what they need for this particular night, and leave for a few escapades before returning to his bedsit. Will this fulfil either of their desires? Dosch delivers her emotionally charged character quite effectively here, and Lévy-Lasne soaks it all up readily enough but there's something lacking here. There are too many ancillary characters - usually on the phone - who clutter up the intimacy of their sometimes quite potent double header and the scenes in the hospital distract from that too. Their lives seem to be designed for maximum dramatic effect rather than any sense of realism, or to engender empathy for either. We just don't know enough about them, which for a film of thirty minutes is a shame. A fly-on-the-wall observation that left me cold, sorry.

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