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Three Hours to Kill
Three Hours to Kill

Three Hours to Kill (1954)

50% User Rating
1h 17min
Western
Mystery

"The Man With The Rope Scar ON HIS NECK!"

After three years on the run, Jim Guthrie returns with the scar of a rope burn on his neck. In a flashback, we learn how he was framed for murder but then escaped from the lynch mob just as he was about to be hung. Tired of running, he has returned to find the real killer and the Sheriff has given him just three hours to do it.

Alfred L. WerkerDirector

Cast

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Dana Andrews

Dana Andrews

Jim Guthrie

Donna Reed

Donna Reed

Laurie Mastin

Dianne Foster

Dianne Foster

Chris Palmer

Stephen Elliott

Stephen Elliott

Sheriff Ben East

Richard Coogan

Richard Coogan

Niles Hendricks

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Laurence Hugo

Marty Lasswell

James Westerfield

James Westerfield

Sam Minor

Richard Webb

Richard Webb

Carter Mastin

Carolyn Jones

Carolyn Jones

Polly

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Charlotte Fletcher

Betty

Whit Bissell

Whit Bissell

Deke

Reviews (1)

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John Chard
John Chard
Rating 70%

July 9, 2018

The Man With The Rope Scar On His Neck! Three Hours to Kill is directed by Alfred Werker and written by Richard Alan Simmons, Roy Huggins and Maxwell Shane. It stars Dana Andrews, Donna Reed, Stephen Elliott, Richard Coogan and Dianne Foster. Music is by Paul Sawtell and cinematography by Charles Lawton Jr. As solid as a boulder in Death Valley, Three Hours to Kill is a most satisfying Oater for genre fans not expecting boundary pushing. Plot has Andrews as Jim Guthrie, who is wrongly accused by the town folk of murder and promptly condemned to death by lynch mob. Escaping the rope by the skin of his neck, Guthrie bides his time for three years before heading back to the town to clear his name and nail the real murderer. His friend, the Sheriff, gives him three hours to complete his task before the law intervenes. What unfolds is a whodunit led by Andrews as he interrogates and puts the squeeze on a number of the town's denizens. There's a deliberately downbeat tone that serves the story well, with lost loves, unfulfilled lives and haunted memories of past doings permeating the narrative. The psychological undertones and risque aspects of the story are tantalisingly -frustratingly so - left to just simmer, but mood befits question marks in the plotting to keep one engaged. Action scenes are in the main no more than competently handled, but a couple are quite striking to raise the pulses. When the pic moves out of the confines of the town, the locales (Lake Sherwood, Sherwood Forest, Hidden Valley in Calif) are most striking and leave you hankering for a more airy picture as a whole. Cast are fine, Andrews toughs up for good perf, but as lovely as Reed and Foster are (in fact Foster is socko gorgeous), they are undone by standard writing and Reed comes off as looking bored. The ending carries a nice surprise, two fold in fact, to close the deal on what is an above average Oater to be enjoyed as easy sampling by genre fans. 6.5/10

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