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Second Chorus
Second Chorus

Second Chorus (1941)

58% User Rating
1h 24min
Music
Comedy
Romance

"They're the tip-tops in toe-taps!"

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

H. C. PotterDirector

Cast

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Fred Astaire

Fred Astaire

Danny O'Neill

Paulette Goddard

Paulette Goddard

Ellen Miller

Artie Shaw

Artie Shaw

Himself

Charles Butterworth

Charles Butterworth

J. Lester Chisholm

Burgess Meredith

Burgess Meredith

Hank Taylor

Frank Melton

Frank Melton

Stu

Jimmy Conlin

Jimmy Conlin

Mr. Dunn

Don Brodie

Don Brodie

Clerk

Marjorie Kane

Marjorie Kane

Secretary

Joan Barclay

Joan Barclay

Receptionist

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Willa Pearl Curtis

Scrubwoman

Phil Arnold

Phil Arnold

Shaw's First Manager (uncredited)

Bobby Barber

Bobby Barber

Room Service Waiter (uncredited)

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Bus Bassey

Tenor Sax Player (uncredited)

William Benedict

William Benedict

Ticket Taker (uncredited)

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Vernon Brown

Trombone Player (uncredited)

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Billy Butterfield

Trumpet Player (uncredited)

Romaine Callender

Romaine Callender

Waiter (uncredited)

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Jack Cathcart

Trumpet Player (uncredited)

Heinie Conklin

Heinie Conklin

Reporter (uncredited)

Gordon De Main

Gordon De Main

Elevator Passenger (uncredited)

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Jud De Naut

Bass Player (uncredited)

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Nick Fatool

Drummer (uncredited)

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Jack Gordon

Stagehand (uncredited)

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Johnny Guarnieri

Piano Player (uncredited)

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Ben Hall

Western Union Boy (uncredited)

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Alton Hendrickson

Guitar Player (uncredited)

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Jack Jenney

Trombone Player (uncredited)

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Jerry Jerome

Tenor Sax Player (uncredited)

Adia Kuznetzoff

Adia Kuznetzoff

Boris (uncredited)

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Lillian Lawrence

Spinster (uncredited)

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Alexander Leftwich

Elevator Passenger (uncredited)

Ben Lessy

Ben Lessy

Shaw's Second Manager (uncredited)

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Joseph Marievsky

Ivan (uncredited)

Charles R. Moore

Charles R. Moore

Sam - Elevator Operator (uncredited)

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Buddy Morrow

Musician (uncredited)

Spec O'Donnell

Spec O'Donnell

Disappointed Fan at Stage Door (uncredited)

Hermes Pan

Hermes Pan

College Clarinetist (uncredited)

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Neely Plumb

Alto Sax Player (uncredited)

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Albert Pollet

Waiter (uncredited)

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June Preston

Little Blonde Girl Dancing (uncredited)

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Fred Rapport

Headwaiter (uncredited)

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Les Robinson

Alto Sax Player (uncredited)

Charles Smith

Charles Smith

College Boy with Zinc Oxide on His Nose (uncredited)

Mary Stewart

Mary Stewart

Dancer / Singer (uncredited)

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Leonard Sues

Trumpet Player (uncredited)

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Edward Thomas

Waiter (uncredited)

Michael Visaroff

Michael Visaroff

Sergei (uncredited)

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George Wendt

Trumpet Player (uncredited)

Poppy Wilde

Poppy Wilde

Night Club Patron (uncredited)

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Allen Wood

Messenger (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

February 15, 2025

This has some good ingredients but somehow the sum of the parts just misfires as even some lively Artie Shaw-led numbers just fizzle out. It doesn’t really help that there’s not much chemistry between Fred Astaire’s “Danny” and either his partner in crime “Hank” (Burgess Meredith) or their old pal/manager “Ellen” (Paulette Goddard). The two men have been exploiting the college band gravy train for almost a decade but have now finally been forced into the outside world to fend for themselves. They both play the trumpet and guess what… Artie is looking for a trumpeter! What he is also looking for is someone to take on the management of his popular orchestra and so the seeds are sewn for some song and dance comedy as the two men vie for both her and a job! It’s not a bad film, it’s just flat. The routines are all just a little pedestrian and even Johnny Mercer’s usually reliable pen can’t breathe much life into “Dig It” or “Would You Want to be…?”. There are a few decent moments as Shaw’s band manages to get toes a-tapping, and we are reminded that Astaire was no slouch on the piano, but even given it was made as the war was looming larger in the USA, this is all just a bit derivative and sloppily edited. It just goes to show that even the best and most accomplished stars can’t make an engaging double-act out of a sow’s ear.

Media

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