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Hiss and Yell
Hiss and Yell

Hiss and Yell (1946)

37% User Rating
17min
Comedy

Vera thinks she's witnessed a man decapitating his wife. Actually, she's only seen magician Bluebeard the Great rehearsing his act. Still convinced that the magician is a killer, Vera goes through all sorts of comic agony when she is forced to share the same train compartment with Bluebeard (who doesn't help matters when he offers her a sandwich consisting of "scrambled brains and tongue").

Jules WhiteDirector

Cast

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Barbara Jo Allen

Barbara Jo Allen

Vera Vague

Barton Yarborough

Barton Yarborough

Barton O'Hara aka Bluebeard the Great

Symona Boniface

Symona Boniface

Train Passenger (uncredited)

Edmund Cobb

Edmund Cobb

Policeman (uncredited)

Heinie Conklin

Heinie Conklin

Delivery Man (uncredited)

Fred Kelsey

Fred Kelsey

Policeman (uncredited)

Emil Sitka

Emil Sitka

Drunken Gardener (uncredited)

Victor Travis

Victor Travis

Conductor (uncredited)

John Tyrrell

John Tyrrell

Policeman (uncredited)

The Movie Database

Johnny Kascier

Minor Role (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 50%

July 14, 2025

To be fair to Barbara Jo Allen here, she gives it all she has got as she tries to squeeze just about every mishap and misunderstanding into twenty minutes of light slapstick comedy. She’s “Vera” who thinks she saw magician “Bluebeard” (Barton Yarborough) get up to something especially macabre. He tells her that he’s just practicing for his stage-show, but she’s sceptical - to put it mildly. That nervousness isn’t improved when the two have to share a railway carriage and the magician’s taste for ghoulish delicacies only heightens her fears! What let’s this down is the really lacklustre writing which doesn’t really sustain the joke after the first five minutes, and leaves the enthusiastic Miss Allen exposed - despite her genuinely decent efforts to keep this moving along amiably. It can’t have had much budget as the production itself isn’t up to much but that needn’t have mattered in the end if director Jules White had focussed a little more on keeping it better from the realms of stage-bound farce.

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