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Up in Central Park
Up in Central Park

Up in Central Park (1948)

70% User Rating
1h 24min
Music

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

William A. SeiterDirector

Cast

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Deanna Durbin

Deanna Durbin

Rosie Moore

Dick Haymes

Dick Haymes

John Matthews

Vincent Price

Vincent Price

Boss Tweed

Albert Sharpe

Albert Sharpe

Timothy Moore

Tom Powers

Tom Powers

Rogan

Hobart Cavanaugh

Hobart Cavanaugh

Mayor Oakley

Thurston Hall

Thurston Hall

Governor Motley

Howard Freeman

Howard Freeman

Myron Schultz

Mary Field

Mary Field

Schoolteacher

Tom Pedi

Tom Pedi

O'Toole

Moroni Olsen

Moroni Olsen

Big Jim Fitts

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William Skipper

Dancer

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Nellie Fisher

Dancer

Bess Flowers

Bess Flowers

Diner at The Stetson House (uncredited)

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Patricia Alphin

Guest

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

June 5, 2023

Despite not featuring in the top billing, this film really belongs to the honest emigrant Irishman "Moore" (Albert Sharpe). Straight off the boat with his feisty daughter "Rosie" (Deanna Durbin) he bumps into a welcoming committee that lets him know how he can take part in the democratic process (for a new mayor) and make a few bucks at the same time. He excels at his task and by a quirk of fate finds himself superintendent of Central Park - on a wapping great $3,000k per year! He is hands on, so likes to feed the animals - an activity that is clearly prohibited and attracts the attention of journalist "Matthews" (Dick Haymes). Realising the man's job and the purpose of the feeding - geese, grouse, duck all destined for the table of kingpin "Tweed" (Vincent Price), he writes a column, gets "Moore" fired and rouses the wrath of "Rosie" who intercedes for her father and also manages to attract the attention of "Tweed" too. It's quite a fun tale of corrupt local politics, naivety and integrity this, with Sharpe delivering well and Durbin doing the lively characterisation that she always did engagingly, too. Price makes for a reasonable sophisticate-cum-power-broker and Hobart Cavanaugh also chips in nicely as the hapless Mayor just doing what he is told. The ending is all a bit rushed, the story is really quite incomplete on a number of fronts and the musical numbers don't do a great deal for maintaining the pace, but it has a certain plausibility to it. It's quite possible this is what New York might have been like at the start.

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