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The First Legion
The First Legion

The First Legion (1951)

68% User Rating
1h 26min
Drama

A Catholic priest fights against his colleagues' immediate acceptance of an ambiguous “miracle”.

Douglas SirkDirector

Cast

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Charles Boyer

Charles Boyer

Father Marc Arnoux

William Demarest

William Demarest

Monsignor Michael Carey

Lyle Bettger

Lyle Bettger

Dr. Peter Morrell

Barbara Rush

Barbara Rush

Terry Gilmartin

Leo G. Carroll

Leo G. Carroll

Father Rector Paul Duquesne

Walter Hampden

Walter Hampden

Father Edward Quarterman

Wesley Addy

Wesley Addy

Father John Fulton

Taylor Holmes

Taylor Holmes

Father Keene

H.B. Warner

H.B. Warner

Father José Sierra

George Zucco

George Zucco

Father Robert Stuart

John McGuire

John McGuire

Father Tom Rawleigh

Clifford Brooke

Clifford Brooke

Brother Clifford

Dorothy Adams

Dorothy Adams

Mrs. Dunn

Molly Lamont

Molly Lamont

Mrs. Nora Gilmartin

Queenie Smith

Queenie Smith

Henrietta

Jacqueline deWit

Jacqueline deWit

Miss Hamilton

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 70%

December 5, 2024

"Dr. Morrell" (Lyle Bettger) is adamant that the ageing "Fr. Sierra" (H.B. Warner) will never walk again, until - well, he does. Is this a miracle? There are those amongst this priestly, Jesuit, brotherhood who are all too eager to have it declared one, but "Fr. Arnoux" (Charles Boyer) is a tad more sceptical. His concerns aren't exactly assuaged when the wheelchair-bound young "Terri" (Barbara Rush) hopes that this is but a precursor to her own healing. "Arnoux" is also determined to stop the disillusioned "Fr. Fulton" (Wesley Addy) from abandoning his faith, but with all these shenanigans going on, he perhaps isn't so certain of his own - a fact that hasn't escaped the sagely "Father Rector" (Leo G. Carroll) who has quite a few plates to juggle, or the visiting and rather jolly "Monsignor Carey" (William Demarest). It's quite easy to dismiss this as a dose of Christian hokum, but it's actually quite a bit more of a subtle look at hope and how ready people are to believe in just anything when it is absent. That's well exemplified here by a personable effort from Rush and also from both Boyer and Addy, too. We sense all along that the doctor knows a great deal more than he's letting on, and that also helps create a sense of the perplexing that does raise a few questions about the power of prayer (or not). The photography also adds a bit of richness to the drama, intimate but never intrusive, and complemented by a gently effective score from Hans Sommer that gives this an extra humanity. I haven't a religious bone in my body, and the first half hour did make me wonder what moralising I was to expect, but by the end it proved a more thought-provoking look at belief, instead.

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