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The Weaker Sex
The Weaker Sex

The Weaker Sex (1948)

60% User Rating
1h 24min
Drama

A British housewife does her own battles against the enemy during World War II.

Roy Ward BakerDirector

Cast

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Ursula Jeans

Ursula Jeans

Martha Dacre

Cecil Parker

Cecil Parker

Geoffrey Radcliffe

Joan Hopkins

Joan Hopkins

Helen Dacre Winan

Derek Bond

Derek Bond

Lt. Comdr. Nigel Winan

Thora Hird

Thora Hird

Mrs. Gaye

Bill Owen

Bill Owen

Soldier with Chicken

Lana Morris

Lana Morris

Lolly Dacre McIntyre

John Stone

John Stone

Roddy McIntyre

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Digby Wolfe

Benjie Dacre

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Marian Spencer

Harriet Lessing

Kynaston Reeves

Kynaston Reeves

Captain Dishart

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Basil Appleby

Kathleen Boutall

Kathleen Boutall

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Dorothy Bramhall

Mrs. Monica Maling

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Campbell Cotts

Helen Goss

Helen Goss

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Marjorie Gresley

Shop Supervisor

Gladys Henson

Gladys Henson

Woman in Fish Queue

Vi Kaley

Vi Kaley

Old Woman on Sea Front

Eleanor Summerfield

Eleanor Summerfield

Clippie

Merle Tottenham

Merle Tottenham

Woman in Fish Queue

Joan White

Joan White

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 70%

July 9, 2022

I found the title of this rather classy wartime drama a bit misleading. Though it is told from the perspective of the widowed "Martha" (Ursula Jeans) and focusses on the stay at home elements of fighting during WWII - there isn't really anything weak about her dedication to her duties; nor of those of her counterparts. She plays her character with poignancy, dealing with the day-to-day trials and tribulations reconciling her work and her home - in which she billets RN commander "Geoffrey" (Cecil Parker) and sailor "Roddy" whilst her own two children are away serving. From a narrative perspective it climaxes with the D-Day landings and, intercut with War Office actuality, conveys a genuine sense of the fraught anticipation of those at home. Once the war has been won, the story rather peters out - a few fun jibes at the pains of rationing, and that most British of all things - the queue; and there is a degree of stoic, stiff upper lip-ness about the attitudes that makes the characterisations plausible and engaging, but it does slip a little into melodrama. There are a few welcome cameos from Thora Hird as their housekeeper (and, briefly, from Bill Owen with whom she starred in "Last of the Summer Wine" some 60-odd years later) and Kynaston Reeves. The story isn't all plain sailing: grim reality raises it's ugly head now and again, but that is handled subtly and isn't dwindled upon - helping the proceedings march along at a decent pace. I expect this went down well with audiences in 1948 - it's good.

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