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The Movie Database

I'll Turn to You (1946)

50% User Rating
1h 37min
Music

When a soldier returns from the Far East after the war, he and his wife have to adjust to life at home.

Geoffrey FaithfullDirector

Cast

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Terry Randall

Aileen Meredith

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Don Stannard

Roger Meredith

Harry Welchman

Harry Welchman

Mr. Collins

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Ann Codrington

Mrs. Collins

George Merritt

George Merritt

Cecil Joy

Irene Handl

Irene Handl

Mrs. Gammon

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Ellis Irving

Henry Browning

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Nicolette Roeg

Flora Fenton

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Anthony Pendrell

Dick Fenton

Leslie Perrins

Leslie Perrins

Chigwell

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John Henry Allen

Estate Agent

Grace Arnold

Grace Arnold

Nurse

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Davina Whitehouse

Telephonist

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Melville Crawford

Bullen

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Arthur Denton

Commissionaire

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Jonathan Field

Brierson

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Michael Gainsborough

Office Boy

Cameron Hall

Cameron Hall

The Neighbour

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Hamilton Keene

Hotel Receptionist (uncredited)

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David Keir

Estate Agent

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Olive Kirby

Office Girl

Evelyn Laye

Evelyn Laye

Herself

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Sandy Macpherson

Himself

Aubrey Mallalieu

Aubrey Mallalieu

Managing Director

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John McHugh

Orchestral Soloist

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Janet M. Morrison

Mrs. Jordan

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Peter Penn

Fellowes

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Albert Sandler

Leader, Palm Court Orchestra

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Jack Vyvyan

Stage Door Keeper

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Sylvia Welling

Herself

Hal Gordon

Hal Gordon

Taxi Driver (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 50%

November 1, 2023

I suppose this scenario must have played out in quite a few households across the country after the end of WWII. “Roger” (Don Stannard) returns home to his loving wife “Aileen” (Terry Randall) and pretty much instantly struggles to settle down into his new, rather pedestrian, existence. They have very little money and he sees his wife (innocently) associating with friends like “Henry” (Ellis Irving) who can give her so much more than he can. It’s this frustration that leads him to abscond - but a chance meeting with his supposed foe might just help him get his priorities straight. It’s a very gently paced, rather contrived, story this with far too much dialogue: if she called him ‘darling’ one more time… and frankly it really struggles to sustain ninety-odd minutes. Indeed the last fifteen of those is set at a concert and luckily the fine dulcets of a Welsh choir and soloist John McHugh keep our attention while the melodrama reaches it’s all-too predicable conclusion. It was made immediately after the end of the war, when sentiment would have been very deep and perhaps that gave it an added resonance at the time. Now, though, it’s all rather weak and unremarkably performed by two stars who don’t really shine.

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