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Hue and Cry
Hue and Cry

Hue and Cry (1947)

64% User Rating
1h 22min
Comedy
Crime
Adventure

"The Film that Begs to Differ"

A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip's wording each week, unknown to writer and printer. The first of the Ealing comedies.

Charles CrichtonDirector

Cast

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Alastair Sim

Alastair Sim

Felix H. Wilkinson

Jack Warner

Jack Warner

Nightingale

Valerie White

Valerie White

Rhona

Jack Lambert

Jack Lambert

Ford

Harry Fowler

Harry Fowler

Joe Kirby

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Douglas Barr

Alec

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Stanley Escane

Roy

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Ian Dawson

Norman

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Gerald Fox

Dicky

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David Simpson

Arthur

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Albert Hughes

Wally

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John Hudson

Stan

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David Knox

Dusty

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Jeffrey Sirett

Bill

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James Crabbe

Terry

Joan Dowling

Joan Dowling

Clarry

Frederick Piper

Frederick Piper

Mr. Kirby

Vida Hope

Vida Hope

Mrs. Kirby

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Heather Delaine

Dorrie Kirby

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Paul Demel

Jago

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Alec Finter

Det.-Sgt. Fothergill

Bruce Belfrage

Bruce Belfrage

B.B.C. Announcer

Grace Arnold

Grace Arnold

Dicky’s Mother

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Arthur Denton

Vicar

Robin Hughes

Robin Hughes

Selwyn Pike

Howard Douglas

Howard Douglas

Watchman

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Harry Purvis

Larry the Bull

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Joey Carr

Shorty

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Peter Mullins

Boy (uncredited)

Andrew Sachs

Andrew Sachs

Schoolboy (uncredited)

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Fred Wood

Congregation Member (uncredited)

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 70%

November 10, 2022

This is one of the lesser known Ealing comedies and it has something of the Children's Film Foundation output to it too, as the youngsters cotton on to a dastardly plan to use the narrative bubbles in a children's comic to convey messages that unwittingly to the publisher and animator facilitate daring robberies. It's only when the young "Joe" (Harry Fowler) and his mates start to put two and two together, and with the help of "Felix" (Alastair Sim) they start to hone in on the kingpin - safe in the knowledge that he is close amongst them and will not go quietly if he is discovered. The humour is dark, subtle and personable, as are the efforts from Jack Warner ("Nightingale") and it is set in a wonderfully gritty post war, bombed-out London full of craters and ruins in which to set the increasingly enjoyable scenario. The youngsters gel well together too, a team effort with the odd red herring and plenty of fisticuffs that compensate for the nor terribly high production standards (especially the tinny audio). Remembering the environment in which it was made, it's a remarkably enjoyable and light-hearted indication that war was over and that the sunlit uplands were again on the horizon. Good fun.

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