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Carnival Story
Carnival Story

Carnival Story (1954)

43% User Rating
1h 35min
Drama

"The Story of a Woman's Shame!"

In search of a better life, a German girl named Willi joins an American carnival passing through Munich. While traveling from town to town, she is torn between two suitors: cruel carnival barker Joe and kindhearted high-dive artist Frank. Frank gets the upper hand when he asks Willi to join his act. The partners soon become the most popular attraction at the carnival. But tragedy is only a slip away.

Kurt NeumannDirector

Cast

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Anne Baxter

Anne Baxter

Willi

Steve Cochran

Steve Cochran

Joe Hammond

Lyle Bettger

Lyle Bettger

Frank Colloni

George Nader

George Nader

Bill Vines

Jay C. Flippen

Jay C. Flippen

Charley Grayson

Helene Stanley

Helene Stanley

Peggy

Ady Berber

Ady Berber

Groppo

The Movie Database

Anni Trautner

Bearded Lady (uncredited)

The Movie Database

Jadin Wong

Chinese Dancer (uncredited)

Reviews (2)

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John Chard
John Chard
Rating 50%

July 26, 2014

You will go wherever I tell you. Kurt Neumann directs Carnival Story, starring Anne Baxter, Steve Cochran, Lyle Bettger, George Nader and Jay C. Flippen. Music is by Willy Schmidt-Gentner and cinematography by Ernest Haller. Set in Munich, Germany, plot centres on the workings of Grayson’s travelling carnival. The perils of love, infatuation and high diving acts come crashing together. Filmed in Agfacolor/Technicolor and unfurling its narrative in a carnival atmosphere, Carnival Story is pleasing enough on the eyes and ears. That is once you get used to Baxter’s German accent that is! Willi (Baxter) is the fulcrum for everything that happens, caught picking the pocket of carnival worker Joe Hammond (Cochran), she ends up getting employed by the owner Charley Grayson (Flippen). From there she starts to literally rise up the ladder of success whilst indulging in a torrid love triangle with Joe and Frank Collini (Bettger). The temperature never gets above lukewarm settings, the narrative getting bogged down by a repetitiveness that grates entering the last third of film. There’s much swooning and sexual discord, but it never steams the screen up, this in spite of Cochran’s animal magnetism and Baxter’s natural sexuality. While Flippen is under used and Bettger unsuited to the role of a swim trunk wearing high diver. It’s all a bit flat in story telling terms, even the ending fails to close pic down with thrilling wonder. A missed opportunity here, but fans of Cochran doing bad boy are well served, as are those of us who have lusty lustations for Annie Baxter. 5/10

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