Palmer (2021)

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Streaming services have been growing exponentially, and with the current global pandemic deeply affecting the film industry, studios all around the world started to accept their movies’ fate. Controversy became a banal word in this debate, especially regarding the decision of exclusively distributing blockbusters and highly-anticipated films through Netflix, HBO, Disney+, Apple TV+, and more. Concerning this matter, I will always defend the theater experience as something unique and incomparable with home viewing, at least in a general way. Nevertheless, I think the most comprehensible path to accommodate everyone is to give the viewer both choices, and I firmly believe that would be the new norm, sooner or later. Why this apparently unrelated prologue? Well, Palmer is exclusively premiering on Apple TV+, which is probably the most underrated streaming service out there. Both their original movies (Wolfwalkers, On the Rocks) and TV shows (Servant) have become more and more successful, and their production quality unquestionably makes dozens of studios jealous. With that in mind, I believe an indie flick with a narrative like Palmer’s would always suffer at the box-office in a standard theatrical distribution, so I’m genuinely glad Apple caught it because I wouldn’t be surprised if it ends up as one of my favorite films of the year. I’ve seen Fisher Stevens before, but never in the director’s chair. I’m surprised at how much this movie positively impacted me. Cheryl Guerriero’s screenplay might not be groundbreaking or incredibly innovative, but it follows an extremely efficient formula that, when written and directed in the right manner, hits most viewers’ hearts. Boasting well-written, captivating dialogues that feel real, Palmer tells a cliche yet fascinating story featuring two exceptionally inspiring characters who can undoubtedly serve as a beautiful influence to many viewers going through similar life issues. Ryder Allen interprets Sam, a bullied kid with a remarkable amount of self-confidence and pride, even though he lives in a trailer with terrible parents and is made fun of by his school colleagues. He doesn’t let other people control his choices or what he likes, independently of what happens. His will and ultimate happiness in dressing up as a princess, having tea parties, or simply being “different” from everyone else (as described in the film) can have an extraordinary result in the audience, mainly kids. Regarding Ryder’s performance, I have no doubt he will be a heavy contender in categories concerning young actors since he delivers a heartfelt display that made me tear up by the end of the movie. When it comes to his adult counterpart, Justin Timberlake portrays Eddie Palmer, an ex-convict trying to get back on track after losing over a decade of his life due to an admittedly grave crime. However, as the character is presented and developed throughout the runtime, it becomes relatively easy to emotionally connect with Palmer. Even though his imprisonment was more than fair, Palmer demonstrates to be an altruistic, loving person who truly wants to redeem himself while admitting that he’s far from being considered “normal”, consequently creating an unbreakable bond with Sam. Timberlake genuinely surprised me with a grounded, experienced performance. In the end, it’s the astonishingly honest connection between Palmer and Sam that elevate the screenplay into such an inspirational narrative. There are other impactful and interesting relationships, namely between Palmer and Maggie Hayes (Alisha Wainwright), as well as between Palmer and his grandmother, Vivian (June Squibb). These characters significantly impact Palmer’s life, and the actresses were up to the task. However, Shelly (Juno Temple) is a terrible parent who I couldn’t feel sorry for, not even after certain acts of compassion that are meant for the viewers to forgive the character. Technically, just a quick praise to Tamar-kali’s subtle score that hit me in the right moments. I sincerely hope that this Fisher Stevens’ indie flick finds its audience at home because it’s a heartwarming, enlightening, emotionally compelling story of redemption and self-acceptance. Palmer might follow a generic formula that any viewer has seen at least a few dozen times, but Cheryl Guerriero’s well-written, efficient screenplay is brought to life in an incredibly authentic, genuine manner. The wonderful bond between Justin Timberlake and Ryder Allen’s characters is the film’s heart and soul. Both actors deliver outstanding performances, as well as the rest of the cast, but it’s the cliche yet heartfelt narrative packed with meaningful messages that ultimately brings up tears to the eyes. Despite the failed attempt to make the viewer feel compassion for Juno Temple’s character, Apple TV+ offers another highly commendable movie to watch with your family. Rating: A-