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Behind That Curtain
Behind That Curtain

Behind That Curtain (1929)

39% User Rating
1h 31min
Crime
Mystery
Thriller

"A Love Mystery Drama of Scotland Yard"

Sir George hires Hillary Gatt to find out more about Eric who wants to marry Lois. Gatt is murdered and the couple, married, run off to India. Old friend John Beetham sympathizes with the bride who sees that her hubby is a liar and drunk.

Irving CummingsDirector

Cast

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Warner Baxter

Warner Baxter

Col. John Beetham

Lois Moran

Lois Moran

Eve Mannering Durand

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E.L. Park

Police Insp. Charlie Chan

Boris Karloff

Boris Karloff

Beetham's Manservent

Gilbert Emery

Gilbert Emery

Sir Frederick Bruce

Claude King

Claude King

Sir George Mannering

Philip Strange

Philip Strange

Eric Durand

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Jamiel Hasson

Sahib Hana

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Peter Gawthrone

British Police Inspector

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John Rogers

Alf Pornick

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Mercedes De Valasco

Nuna

Edgar Norton

Edgar Norton

Galt

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 50%

June 6, 2022

Despite the objections of her guardian "Sir George Mannering" (Claude King), the headstrong "Eve" (Lois Moran) marries the dashing "Eric Durand" (Philip Strange) and they go to live in India. Her guardian dies, and she is left in a loveless marriage with her rather rakish husband who is quite clearly having an affair with their maid "Nuna" (the constantly singing Mercedes de Valasco). One afternoon, whilst keeping away from her husband, she meets an old friend "Col. Beetham" (Warner Baxter) who was always keen on her, and he offers to help. On returning home, she receives a letter that might just implicate her husband with the murder of her late guardian's solicitor on the night of their marriage - and she turns to "Beetham" for help. All of this is taking place under the watchful eye of the diligent "Sir Frederick Bruce" (Gilbert Emery) from Scotland Yard, and concludes - via an interesting trip through the desert - in a San Francisco where the assistance of "Charlie Chan" (E.L. Park) proves crucial in apprehending the culprit. It's got some quite decent photography, to be fair, but the dialogue is so stilted as to be almost staccato - particularly for the first fifteen minutes or so. Moran has no chemistry with ether of her leading men, and the mystery is far too contrived. Not entirely sure why you would go from London to Tehran via India, either...

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