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The Movie Database
The Monk

The Monk (1990)

15% User Rating
1h 41min
Drama
Horror

In Madrid at the time of the Inquisition, the monk Ambrosio is renowned for his faith and his strength of will, a saint in the eyes of the populace. But when he discovers the beautiful Matilda hidden in his own monastery, all his repressed passions begin to show themselves, and he is soon using the girl, and her powers, in his lust for more innocent prey.

Francisco Lara PolopDirector

Cast

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Paul McGann

Paul McGann

Father Lorenzo Rojas

Sophie Ward

Sophie Ward

Matilde de la Venegas

Isla Blair

Isla Blair

Mother Agueda

Aitana Sánchez-Gijón

Aitana Sánchez-Gijón

Sister Ines

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Freda Dowie

Sister Ursula

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Laura Davenport

Doña Elvira Dauphin

Sophie Linfield

Sophie Linfield

Angela Dauphin

Manuel de Blas

Manuel de Blas

Inquisitor

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Mark Elstob

Ramon de Medeira

Marina Saura

Marina Saura

Jacinta

Luis Hostalot

Luis Hostalot

Captain

Suzanne Bertish

Suzanne Bertish

Sister Mariana

Pepa Sarsa

Pepa Sarsa

Sister Camila

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Fulgencio Saturno

Father Pablo

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Gaspar Cano

Antonio

Manuel Pereiro

Manuel Pereiro

Prior

Concha Hidalgo

Concha Hidalgo

Nun

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Luis Maluenda

Spokesman

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Stuart Sutherland

Lucas

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Javier Serrano

Novice

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Lorenzo Collado

Exorcist

Reviews (1)

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R
RodneyCompton

July 22, 2022

I photographed this cover as part of its theatrical launch at Cannes. It is very dramatic and was shot as a three part photocomposite (before photoshop). The front bit is my business partner as the monk - the female below is the famous page three model, Gail Mckenna (Samantha Bond agency) and it was shot in a London studio. The flaming background was shot on the farm where I lived - we set fire to a load of old fencing - the image is heavily filtered, red and magenta for maximum effect. The face was from Paul McGann's advertising for the film - removing the existing face and combining the elements into the photocomposite image was by Dennis Novak and done on 10x8" transparency using the Unichrome method. Paul McGann's face is too small for the hood. I also understand he did not like the cover. We handled the entire theatrical release - brochures, posters photography, the lot. This film was among several at that time and followed a radical genre that called into question the matter of celibacy in the priest hood and how repression of instinct can produce a dramatic and powerful unconscious shadow. In a way it foreshadowed the terrible revelations about widespread abuse in the church that was to come to light later. The main conflict is predictable - a celibate priest fighting his instincts love for a woman - modern version of Abelard and Heloise with a modern and highly symbolic outcome.

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