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One Second
One Second

One Second (2020)

75% User Rating
1h 44min
Drama
History

A movie fan escapes from a labour camp during the Chinese Cultural Revolution and strikes up a relationship with a homeless female vagabond.

Zhang YimouDirector

Cast

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Liu Haocun

Liu Haocun

Orphan Liu

Zhang Yi

Zhang Yi

Zhang Jiusheng

Fan Wei

Fan Wei

Fan Film

Yu Ailei

Yu Ailei

Secretary Cui

The Movie Database

Shaobo Zhang

Brother Liu

Li Xiaochuan

Li Xiaochuan

Chef

Cao Rui

Cao Rui

Fan Film's son

The Movie Database

Ziyue Tang

Hooligan

Liu Yunlong

Liu Yunlong

Security

Li Yan

Li Yan

Yang He

Reviews (2)

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CinemaSerf
CinemaSerf
Rating 70%

April 16, 2025

“Zhang” (Yi Zhang) manages to escape from a forced labour camp just as the Chinese cultural revolution is in full swing. His plan is to make it back to his remote home where he hopes to see a screening of a short propaganda newsreel extolling the merits of socialism that features his young daughter. The thing about these multi-reel movies, though, is that they are constantly being circulated, damaged, stopped and stolen - so actually finding it in a working condition near somewhere capable of exhibiting it is no mean feat for this increasingly malnourished and frustrated gent. Then he encounters the wandering “Liu” (Haocun Liu) who also requires the film - but for an entirely different, and probably more practical purpose, so whilst trying to obtain it from her and stay one step ahead of the pursuing authorities, his work is cut out for him. As his quest proceeds, we are introduced by way of flashbacks, to just who he is, who she is, and why we are all chasing this moment encapsulated in nitrate. This reminded me, in many ways, of “Cinema Paradiso” (1988) insofar as it really emphasises just how important cinema was to a small town community. At how revered, almost, the projectionist- in this case “Mr. Movie” (Wei Fan) - was, and despite the fact that the screen was little better than a king sized bed sheet, and just how the population gathered to see whatever the authorities deemed fit for their consumption with eagerness and zeal. It’s thinly veiled critique on all things “party” is disguised in some really quite dark humour with some down right disrespectful dialogue that ridicules the very principles of any one doctrine state, ostensibly benign or just plain authoritarian. The scenes with Wei Fan, especially towards the end, do raise a smile and then there’s the slight futility to it that works well, too. At times the photography gives up quite a powerful degree of intimacy and at other times it stands back and allows us to enjoy, or query, this man’s travails as you begin to wonder will he ever see the film and just what did he ever do to merit such persistent attempts to recapture him! It can be a little sluggish at times, but the last half hour make it worth a watch.

Media

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Official Trailer

Official Trailer

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