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All for Mary
All for Mary

All for Mary (1955)

62% User Rating
1h 19min
Comedy

In a Swiss Alpine resort shortly after the War an army officer and upper-class Humpy Miller both set their sights on Mary, the landlord's daughter. When the two come down with chicken pox they are put in the charge of fellow guest Miss Cartwright, who turns out to be Humpy's old nanny. The two Englishmen unite not only against her tyranny but against a dense Greek who is also after Mary.

Wendy ToyeDirector

Cast

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Nigel Patrick

Nigel Patrick

Capt. Clive Norton

Kathleen Harrison

Kathleen Harrison

Nannie Cartwright

David Tomlinson

David Tomlinson

Humphrey 'Humpy' Miller

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Jill Day

Mary

David Hurst

David Hurst

M. Victor

Leo McKern

Leo McKern

Gaston Nikopopoulos

Nicholas Phipps

Nicholas Phipps

Gen. McLintock-White

Joan Young

Joan Young

Mrs. Hackenfleuger

Lionel Jeffries

Lionel Jeffries

Maitre D', Hotel

Paul Hardtmuth

Paul Hardtmuth

Porter

Fabia Drake

Fabia Drake

Opulent Lady

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Tommy Farr

Bruiser

Charles Lloyd Pack

Charles Lloyd Pack

Doctor

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Robin Brown

American Boy

Dorothy Gordon

Dorothy Gordon

W.R.A.C. Orderly

Neil Hallett

Neil Hallett

Alphonse

Guy Deghy

Guy Deghy

Ski Instructor

Shirley Anne Field

Shirley Anne Field

Young Woman on Aeroplane

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George Hilsdon

Airline Passenger

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Anne Paige

Woman

Reviews (2)

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CinemaSerf
CinemaSerf
Rating 50%

November 14, 2022

Sadly, the whole here does not quite equal the theoretical sum of the parts. The humour starts off well enough as two men - "Capt. Norton" (Nigel Patrick) and the rather dapper "Humpy Miller" (David Tomlinson) meet on a plane to Switzerland. They don't exactly hit it off, and that situation only gets worse when they discover that they are staying in the same resort - and, finally, that they have both set their sights on the same lady "Mary" (Jill Day) before, wait for it - they both come down with chickenpox and are looked after by the undoubted star of the show, nanny "Cartwright" (Kathleen Harrison). What now ensues is a series of overly contrived, set-piece scenarios that see both men vying for the upper hand, and frankly, the humour falling down the cracks. Everyone is just trying just too hard here - from the writers to the director to the stars trying to make a cinematic silk purse out of a theatrical sow's ear. Harrison does salvage it to some extent, and it's quite an harmless watch - but it plays way too much to stereotype for me.

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