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Bugles in the Afternoon
Bugles in the Afternoon

Bugles in the Afternoon (1952)

51% User Rating
1h 25min
Western

"WHEN FLAMING ARROWS WERE THE SCOURGE OF THE DAKOTA TERRITORY!"

Old enemies stationed together at an Army post vie for the same woman.

Roy RowlandDirector

Cast

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Ray Milland

Ray Milland

Kern Shafter

Helena Carter

Helena Carter

Josephine Russell

Hugh Marlowe

Hugh Marlowe

Capitano Garnett

Forrest Tucker

Forrest Tucker

Donavan

Barton MacLane

Barton MacLane

Capt. Myles Moylan

George Reeves

George Reeves

Lt. Smith

James Millican

James Millican

Sgt. Hines

Gertrude Michael

Gertrude Michael

May

Stuart Randall

Stuart Randall

Bannack Bill

William Phillips

William Phillips

Tinney (as William 'Bill' Phillips)

Hugh Beaumont

Hugh Beaumont

Lt. Cooke

Bob Steele

Bob Steele

Rider Who Announces Custer Is Dead

The Movie Database

Mary Adams

Woman

Reviews (2)

All Reviews
John Chard
John Chard
Rating 65%

November 16, 2013

Guns, Arrows, Bugles and Revenge. Bugles in the Afternoon is directed by Roy Rowland and adapted to screenplay by Daniel Mainaring and Harry Brown from the Ernest Haycox novel. It stars Ray Milland, Helena Carter, Hugh Marlowe, Forrest Tucker, Barton Maclane and George Reeves. A Technicolor production with music by Dimitri Tiomkin and cinematography by Wilfred M. Cline. Solid enjoyable fare that doesn’t push any boundaries. Story finds Milland as Kern Shafter, a cavalryman cashiered out the service for running through Edward Garnett (Marlowe). After drifting for a while, Shafter ends up at Bismarck and joins the Seventh Cavalry at Fort Abraham Lincoln. Unfortunately, his new superior is none other than Captain Edward Garnett! As the two men vie for the same woman, Josephine Russell (Carter), Garnett continually puts Shafter into perilous situations as the Indian War rages. With the arrival of Custer (Sheb Wooley) to lead the men for an attack on the Sioux at Little Big Horn, Garnett and Shafter will each find their day of destiny. It’s all very colourful and muscular, with well staged fights and nifty stunt work. The love triangle core of the story doesn’t grate or swamp the film in pointless mush, however, it seems strange to have the massacre at Little Big Horn in your story, yet only have it as a minor side issue to a couple of guys feuding with each other. Milland and Tucker, the latter as an Irish Private who befriends Shafter and welcomes pain as a test of manhood, both score well with engaging turns, while Carter also does good work with what could easily have been a token girl in the middle role. Location photography in Kanab is delightful (Cline would prove to be a dab hand in Westerns for the rest of the decade), and Tiomkin scores the music with verve and vigour. There’s some stereotyping of the Indians, and this even though there are some real Native Americans in the cast, while Marlowe is done no favours as his villainy is poorly written, but a better than average time waster this proves to be on a wintry afternoon by the fire. 6.5/10

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