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The Joyless Street
The Joyless Street

The Joyless Street (1925)

69% User Rating
2h 28min
Drama

"Open any door in Melchior Alley, and you'll come face to face with naked misery."

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

G.W. PabstDirector

Cast

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Werner Krauss

Werner Krauss

Josef Geiringer

Jaro Fürth

Jaro Fürth

Hofrat Rumfort

Greta Garbo

Greta Garbo

Greta Rumfort

Asta Nielsen

Asta Nielsen

Maria Lechner (Mizzi)

Agnes Esterhazy

Agnes Esterhazy

Regine

Karl Etlinger

Karl Etlinger

Generaldirektor Rosenow

Henry Stuart

Henry Stuart

Einar Hanson

Einar Hanson

Ilka Grüning

Ilka Grüning

Gregori Chmara

Gregori Chmara

The Movie Database

Robert Garrison

Alexander Murski

Alexander Murski

Valeska Gert

Valeska Gert

Hertha von Walther

Hertha von Walther

The Movie Database

Otto Reinwald

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Sylvia Torff

Loni Nest

Loni Nest

The Movie Database

Mario Cusmich

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 70%

June 6, 2022

This is quite a complex and telling tale of a poverty-stricken family struggling to survive in a post Great war Vienna at the star of the 1920s. The extent of their deprivation almost drives Greta Garbo ("Greta") to sell herself to put food on the table, it certainly drives her to petty crime. To be honest this rather drab and gritty story from the pen of Hugo Bettauer (who also wrote the superb "City Without Jews" (1938)) is, in itself, nothing particular to write home about - It's the excellent, earthy and well crafted performances from the sisters "Marie" (Asta Nielsen) and Garbo alongside that of their really quite greedy father "Hofrat Rumport" (Jaro Fürth) and the truly odious people peddler "Metzger" (Werner Krauss) that penetrate deeply. We see a side of a city usually presented accompanied by divine Strauss waltzes with grand costumes and the palaces shown in a completely different light. The direction from Georg Pabst is effective at, though in no great hurry to, immersing us in the true ghastliness of their situations. Garbo, quite literally, shines - her eyes and her features, frequently in intensely potent close up, really breathes life into the production that though quite long, is never dull.

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