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Death Is a Caress
Death Is a Caress

Death Is a Caress (1949)

59% User Rating
1h 29min
Drama
Romance

The story of a working man, who's got a gorgeous fiancée but who falls for a rich older woman – who turns out to be a femme fatale.

Edith CarlmarDirector

Cast

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Claus Wiese

Claus Wiese

Erik Hauge

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Bjørg Riiser-Larsen

Sonja Rentoft

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Ingolf Rogde

Rentoft

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Gisle Straume

Eriks advokat

Einar Vaage

Einar Vaage

Toresen

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Eva Bergh

Marit

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Brita Bigum

Brita

Sossen Krohg

Sossen Krohg

Vera

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Signe Heide Steen

Martha

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Haakon Arnold

Olsen

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Eugen Skjønberg

Byrettsdommeren

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Henrik Anker Steen

Fritjof

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Anders Sundby

Anton

Turid Balke

Turid Balke

Restaurantgjest

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Signe Bernau

Fru Hansen

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Bjørn Breigutu

Karlsen, mekaniker

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Toralv Brekketo

En konstabel

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Kolbjørn Brenda

Byfogden

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Nils-Jørgen Brochman

Hovmesteren

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Vessa Carlsen

Nanna

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Gerda Diesen

Fru Nilsen

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Ellen Ekjord

Lolla

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Anne Gullestad

Turisthotellpiken

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Ferdinand Lunde

Et vitne

Alf Malland

Alf Malland

En konstabel

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Frank Menskau

Sonjas advokat

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Amund Rydland

Lagmannen

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Edel Stenberg

Stuepike

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Edith Thallaug

Restaurantgjest

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Ebba Toje

Hybelvertinnen

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T. Tomter

Verksmesteren

Reviews (1)

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CinemaSerf
CinemaSerf
Rating 60%

April 4, 2022

Claus Wiese is the handsome young "Erik", happily chugging along with girlfriend "Marit" (Eva Bergh) until the wealthy "Sonja" (Bjørd Riiser-Larsen) stops by his garage to have her car engine fixed. A few days later, he is offered a chauffeuring job and it turns out that it is her and her husband who are having a weekend together before he heads off on a business trip to the USA. You can guess what happens once he has gone, but is it just an one night stand or might it develop into something more? The film follows the ebbs and flows of their, frankly, torrid relationship. Drink fulled temper tantrums, acute jealousy and her inconsistent behaviour tests this otherwise mild-mannered younger man severely. Sadly, though, this film all just came across to me as too contrived. Initially they do fancy one and other, that's fine - but as their toxic friendship evolves, it becomes quite tough to watch because their love/hate/love relationship just isn't plausible. The ending is telegraphed by the retrospective narrative of the story (told by "Erik" talking to a police officer from the top of the film). For 1949, the dialogue and one or two of the scenes are maybe a bit risqué, but I wouldn't say this is one of Edith Calmar's finest works. It is notable for what it represents in terms of the development of cinema, and the fact that it has a woman director, but I can't say much more than that.

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