Vincenzo (2021)

It's ok if you can't understand a masterpiece The Outstanding production quality of Vincenzo💯 This K-Drama contains episodes which usually last as long as an Indie movie, and I suppose that is the case with most of the K-Dramas that come out. But Vincenzo knows how to utilize the entirety of its long runtime for its advantage. Even when it lowers its pace, it compensates for it with its breathtaking cinematography and character moments which are worthy of the attention that is being given to them. It has a fantastic score and soundtrack which it doesn’t shy away from using. And while repeated usage of the same score tends to become a bit monotonous, it hardly takes away from the epic twist or reveal of the sequence. The characters and their performances bring together a cohesive amalgam of heartwarming and humorous scenes. The members of the Geumga Plaza are each different in their own funny little ways and as we go on, we learn more about their hidden talents and their quirks keep enhancing. The chemistry between Vincenzo and Hong Cha-Young, which transcends from being partners to being each other’s love interests, is extremely cheesy at times and definitely what the show is trying to go for. It yearns for those awe-inspiring moments, but the action, thrill and violence of the show elevate the mature themes up a notch. When we see Vincenzo, he is not a protagonist. He is a feared Mafia outlaw who has killed his share of men, so that makes him an Anti-Hero. But his moral code is specific and he only punishes those who have done wrong to him or to others. Babel, whereas, is a different story all together. It is the classic evil conglomerate which can buy anything and anyone it sets its eyes to, and its true owner is hidden amidst a fog of deception and silent ruthlessness.